Shakespeare’s plays, especially his histories, are full of high rhetoric. The most famous example is probably Marc Antony’s funeral oration from Julius Caesar . In the speech, Marc Antony faces a hostile crowd, most of whom are celebrating Caesar’s death. But, through careful rhetoric, Marc Antony convinces them that they should not be too quick to celebrate, and that Caesar may not have been such a bad man after all. The speech is a brilliant synthesis of pathos and logos, since it appeals both to the audience’s logical minds and to their emotional hearts.
STAGE I Call to adventure --some new threat or challenge appears in the protagonist's community.
STAGE II Supernatural aid --from a magical creature or magical object appears.
STAGE III Confrontation --The hero confronts the threshhold of danger, often a guardian or villain, that thrwarts him.
STAGE IV Education --Aid comes from a helper and/or mentor figures to show him how to bypass challenges and temptations.
STAGE V Revelation --The hero experiences revelation--often in the form of an abyss or a symbolic death and rebirth.
STAGE VI Resurrection --The hero is transformed, resurrected, or somehow makes atonment, often receiving a concrete or abstract gift from a divine source like a god or goddess-figure
STAGE VII Return --The hero returns home. Once there, he re-establishes order or peace, often becoming a new ruler.
I got a nice new piano. I am giving my old one away. The piano we used a few weeks ago at 2nd Story Recording Studio has the long lost old Sorcerer piano in it, the one I recorded Dead Boy and certain songs from the last album on a few years ago!!! I was so happy to see it again. It seemed different. I tried to pretend that I recognized it. But it reminded me of the cat that changed color when it got a new owner. Norah Jones recorded her first record on that piano too. Anyway it sounded great.