Claude monet essay

The Ho-o-do (Phoenix Hall, completed 1053) of the Byodoin, a temple in Uji to the southeast of Kyoto , is the exemplar of Fujiwara Amida halls. It consists of a main rectangular structure flanked by two L-shaped wing corridors and a tail corridor, set at the edge of a large artificial pond. Inside, a single golden image of Amida (c. 1053) is installed on a high platform. The Amida sculpture was executed by Jocho, who used a new canon of proportions and a new technique (yosegi), in which multiple pieces of wood are carved out like shells and joined from the inside. Applied to the walls of the hall are small relief carvings of celestials, the host believed to have accompanied Amida when he descended from the Western Paradise to gather the souls of believers at the moment of death and transport them in lotus blossoms to Paradise. Raigō (来迎, "welcoming approach") paintings and sculptures, depicting Amida Buddha descending on a purple cloud at the time of a person’s death, became very popular among the upper classes. Raigo paintings on the wooden doors of the Ho-o-do, depicting the Descent of the Amida Buddha, are an early example of Yamato-e, Japanese-style painting, and contain representations of the scenery around Kyoto.

Claude monet essay

claude monet essay

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